Jason Bonham

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Friday, December 14, 2007

Eighth report from fans in London

Wyatt in Illinois supplied the great concert photos shown here, while Sunila "The Dragonlady" in Switzerland writes the following about her experience seeing Led Zeppelin at the O2 arena:

I have a grin on my face, but I have just been crying like I haven't since my grandma died last year. So many emotions!

Rob and I were in the “Chicken shack section” (a litteral translation from the French “poulailler”) which means high, high up in the sky... close to the roof of the hall, but almost dead above the stage. We had been warned it was nothing for the faint of heart...

I am not a big lover of heights, but it added some kind of an edge to the experience. I mean it was quite a sight to be peering down from the "pigeon's nest" or should I say Dragon's Nest? It was tricky to stand up on the narrow ledge and balance there; thank goodness people stayed seated most of the time and we could happily bounce about on the comfy seats. Also good because the guy in front of us was huge.

The first part of the tribute show was a mega gathering of so many stars it would be hard to list them all. I especially enjoyed the performance by Maggie Bell and of course the Rhythm Kings with Albert Lee doing a lively rock number that had me bouncing up and down on my seat!

I wouldn't want to be any of the other bands and musicians who played that night, most of them came and said things like: “we're just passing by don't worry... I won't be long.. we know you're not here for us but... Poor guys! Then the first part was over (I thought it was a bit short but I'm sure some of the old timers down there on the floor were happy about that)!

Then came the moment where all the lights went out and the long wait finally ended! Some footage of old times was on the screen, one could make out a few silhouettes getting on stage, and then there they were, launching into “Good Times Bad Times”! I hate being far away from the stage and at first I couldn't really get into it; the crappy sound up there didn't help. At first I was struggling; it seemed so unreal, but this little silhouette down there was unmistakably Jimmy! I didn't really hear much of “Ramble On”; Plant's voice was too loud and I could hardly hear Jimmy.

Then during “Black Dog” the sound got a bit better and I sat, mesmerised. And by the time they started on “In My Time of Dying” I was really gone, the next thing I remember is “For Your life” amazing! How many times did I try to imagine this played live?

Another couple of numbers (“Nobody's Fault But Mine” and “Trampled Underfoot”) where I sort of touched the ground again because the sound has gone again and I have to fiddle with my special earplugs to try and make out something. But then they start “No Quarter” and I forget the sound quality. Finally seeing all 3 of them playing this. I was re-reading all my reviews on TBL and came across this phrase that I wrote after seeing John Paul Jones in Switzerland in 1999:

"No Quarter was introduced by a speech about dinosaurs and the old, old
times....'There were dinosaurs... oh, and also this...' During the keyboard piece I closed my eyes and tried to summon up the pictures of Vaduz last year when I saw Jimmy Page doing this song a mere 2 meters away and I tried to picture what it would be like to have them all on the same stage again... it'll never happen but it would be too much anyway, I'm not sure I could survive to such power."

Never say never, eh? And look, I'm still alive! The blue light is there as usual, and from up above it feels like a real ocean, hypnotising! It helped me getting into the songs, remember I am a visual person and usually express myself through colour, more than once did I forget to breathe as I was plunging into the musical colour pool.

“Since I've Been Loving You” has often enough brought me to tears and it didn't fail this time either. I could hardly see through the haze of tears, what a song!

“Dazed and Confused” has never been my favourite song but this is the occasion to concentrate on the guitar sound and really watch how amazingly tight the three still are and how Jason Bonham hits just as hard as his dad. “Young” master Bonham -- I'm 2 years younger than him but up there he's really the “kid” -- is really a powerful drummer and can be as subtle as his dad as far as I could judge. Plant has nothing to prove; his latest album is a pearl and his voice has never been better. Jonesy is always cool, but his bass shakes a hall like no other. And of course Jimmy is so happy and you feel happy just looking at him, he's never looked so healthy and happy, and he gave us the whole shebang.

“Stairway To Heaven” might be a crowd pleaser but it's still very impressive, one of the best songs ever written. I was torn between amazement that they were really doing it and exhilaration at seeing the double neck guitar again. Same during “The Song Remains The Same.”

“Misty Mountain Hop” had me recalling all my memories of Snowdonia and the wonderful moments there. One of them being the Priory concert at Bangor, and the “Plantations” accompanying it. *big grin*

And then the absolute highlight for me this evening: “Kashmir”! Already one of my favourite songs, and if I could have, I would have flown down to the front, I so wanted to immerse myself in that vibration, but no, I had to do with the muddled sound... still, I think I must have forgotten to breathe for half of the song, I was shaking so hard I could not even stand. I'll never have grandkids but this would have been something to impress them with!

The first encore was “Whole Lotta Love.” Say what you will about the clichés and all, but it was so good to see the violin bow and the theremin again in this context. And I admit that when I saw the green laser pyramid I let out a nice series of French swear words!

The second encore was “Rock And Roll,” what else? Oh the power! How can these not so young men still have such energy after a long show like that? Magic! I was very impressed by the discipline in the crowd I expected a rowdy floor crowd but no... people were cramped like sardines but they listened religiously and of course cheered in wall shattering roars between numbers. I almost regret I wasn't on the floor but I also appreciated being seated... old bones and all. *grin*

After the concert I felt a bit "abandoned" meaning there was no gathering of fans like before the concert, just when you feel like sharing all the feelings tumbling in your head. I always hate crowds but after an event like this the crowd is suddenly missing. Smiling at perfect strangers who think the same as you is a cool feeling.

A day after it's hard to be really objective. When you're a diehard traveling Ledhead (remember these?) and you finally see your favourite band. But objectively, I think they rocked for good, even though the sound was crappy up there... sound waves don't travel well vertically.... sigh.

About the author

Steve "The Lemon" Sauer is a writer and musician based in Boca Raton, Fla., who has dedicated a portion of his life researching the history of rock group Led Zeppelin and monitoring the ongoing careers of the band's surviving members. Although he was barely a year old when Led Zeppelin broke up and it took him until his teen years to appreciate the music, it didn't take long to make up for it.

Steve is currently a contributing writer and consultant for Get the Led Out, a weekly syndicated radio program hosted by Carol Miller and syndicated in 100 U.S. markets including New York and Los Angeles. He also provides content for a Web site associated with the radio show, www.LedZepOnline.com.

In 2007, Steve launched Lemon Squeezings: Led Zeppelin News to cover the lead-up to the band's reunion concert at the end of that year. Since then, he has closely examined every rumor of a followup tour since then, often dispelling or clarifying misinformation perpetrated by the mainstream media. Using his journalistic training, Steve has also uncovered some facts and accounts previously unreported elsewhere.

At age 18, he began publishing On This Day In Led Zeppelin History, a daily newsletter detailing the interactions of members Jimmy Page, Robert Plant, John Bonham, John Paul Jones, and their manager, Peter Grant. The newsletter is located at www.OnThisDayInLedZeppelinHistory.com.

He enjoys uncovering stories and has employed various methods to communicate those stories to Led Zeppelin's vast fan base, utilizing terrestrial radio and the many facets of the Internet: from Usenet newsgroups to plain e-mail and now Facebook and Twitter. Steve also connects with live audiences when performing as a backup vocalist and keyboard player with various bands, including past onstage appearances with three cover or tribute acts performing the music of Led Zeppelin.

Do you have a news tip to share with Steve? Do you have something you would like him to write about? Would you like to book him for a speaking engagement? He can be contacted by e-mail at Steve at LedZeppelinNews.com.

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